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Writing Life

Information, inspiration and insights into the writing life.

Ask an ALAA Agent – Get a Grip on Life

Some of Australia’s most remarkable and inspiring stories stem from true life. Told in voices plain, ornate, and everything in between, first-person accounts serve many purposes and begin from diverse places. A great number of successful books are sparked by the writer’s curiosity about a detail of family, which has always been puzzling or unspoken: […]

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Apply for extraordinary

Former Hazel Rowley fellow Maxine Beneba Clarke shares her advice for writers considering applying for this year’s Hazel Rowley Fellowship. “Four months before my first fiction book, ‘Foreign Soil’, was due to come out, snowed under with copy edits, I saw a call-out for applications for the 2014 Hazel Rowley Fellowship. The Fellowship, I read,

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Write-ability Fellowships announced

Five writers with disability will receive six hours of free mentoring with authors, assessors and industry experts through the inaugural Write-ability Fellowships announced this week. The Fellowships, a joint initiative of Writers Victoria and Arts Access Victoria, have been awarded to Heidi Everett (with mentor Lyndel Caffrey), Robbie O’Brien (with mentor Matthew Hooper), Jack Waghorn

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25 Years of WV: Interview with Isolde Lueckenhausen

The six years that Isolde Lueckenhausen spent on the Writers Victoria Committee of Management involved a series of transitions for the organisation. She was consecutively the Secretary, Deputy Chair and then Chair of the organisation. Isolde worked alongside three successive Directors (Joel Becker, Roderick Poole and Kate Larsen), “each with their own vision and strengths.”

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25 Years of WV: interview with Chris McKenzie

When Chris McKenzie took on the role of Director of Writers Victoria (then called the Victorian Writers’ Centre), the organisation was based in the Broom Factory in George Street, Fitzroy. Chris arrived in the mid-90s during the first push by state funding agencies to increase the professionalism of member organisations. ‘Arts management’ was becoming a

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