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Anne-Marie Te Whiu on Deep Listening, Escaping Into Books and Writing Back to the Archives

Anne-Marie Te Whiu is an Australian-born Māori who belongs to the Te Rarawa iwi in Hokianga, Aotearoa NZ. She lives on unceded Wangal Country. She is freelance a cultural producer, writer, editor and weaver. Her forthcoming debut poetry collection titled Mettle will be published by University of Queensland Press in 2025. This month, Anne-Marie is running a workshop […]

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Rashida Murphy on Writing, Routine and Learning Craft Through Reading

Rashida Murphy is the author of the novel, The Historian’s Daughter (UWA Publishing, 2016) and a book of short stories titled The Bonesetter’s Fee & Other Stories, (Spineless Wonders, 2021), which was both a runner-up in the Carmel Bird Literary Award and shortlisted in the NSW Premier’s Multicultural Award. Rashida’s stories, poems and essays are widely anthologised. She has

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Ruth McIver on Staying the Course, the Alchemy of Writing and Why Story is Queen

Dr Ruth McIver is an award-winning crime writer represented by The Story Factory, and a sessional academic with an interest in genre fiction, memoir and true crime. Her books include: I Shot the Devil, Blackout (Audible), The Sound (2025) and The Sunset Club.    Over the next three months (March to May), Ruth will be running our Crime Fiction Online Feedback Clinic

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Manisha Anjali on Routine, Self-doubt and Writing close to Dreams

Manisha Anjali is a writer and artist. She is the author of Naag Mountain (Giramondo 2024). Manisha is the founder of Neptune, a research and documentation platform for dreams, visions and hallucinations. Manisha has been a recipient of BLINDSIDE’s Regional Arts & Research Residency at Mooramong, a Writer- in-Residence at Incendium Radical Library and a Hot Desk Fellow

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Anna Snoekstra on Self-Doubt, Writing Without the Delete Button and Telling Stories Through Audio 

Anna Snoekstra is an award-winning author and screenwriter. She is the author of Only Daughter, Little Secrets and The Spite Game. Her novels have been published in over twenty countries and sixteen languages. She has written for Meanjin, KYD, Lindsay, SMH, LitHub, The Griffith Review and is a profile writer for The Saturday Paper. Her most recent novel is Out of

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Emily Bitto on Writing Time, Close Reading and Her Work in Progress

Emily Bitto is an award-winning writer of fiction, non-fiction and poetry. Her debut novel, The Strays, won the 2015 Stella Prize. Her second novel, Wild Abandon, was the winner of the 2022 Margaret and Colin Roderick Literary Award. Emily has taught creative writing for over a decade and is currently a course advisor at the

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Gabrielle Wang on Self-Doubt, Plot and Structure and Her Next Middle-Grade Novel

Gabrielle Wang is an award-winning children’s author and illustrator. She has written and illustrated more than twenty novels for young readers. Her latest middle grade novel Zadie Ma and the Dog Who Chased the Moon was Shortlisted for the 2023 Prime Minister’s Literary Awards, Queensland Literary Awards and NSW Premiers Literary Awards. Gabrielle was the

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Camha Pham on Author-Editor Relationships and the Professional Edit 

Camha Pham is a freelance editor based in Naarm/Melbourne, with over ten years of experience in the publishing industry. Her freelance clients include publishers such as Hachette, Hardie Grant, UQP, Affirm Press, and Pantera Press, among others. She has worked in-house at Oxford University Press and Margaret River Press, and has sat on various editorial boards.

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Karen Comer on Measured Rhythm and Writing Young Characters 

Karen Comer is an author, freelance editor and speaker based in Melbourne. She’s represented by Danielle Binks at Jacinta di Mase Management and Booked Out speakers’ agency. She presents writing workshops to adults and children. Her work as a freelance editor includes fiction for adults and children and non-fiction. Karen writes verse novels – Grace

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Eugen Bacon on Deviants, Prizes and Limitless Possibility 

Eugen Bacon MA, MSc, PhD is an African Australian author of novels and collections. She’s a British Fantasy Award winner, a Victorian Premier’s Literary Award finalist, and a twice World Fantasy Award finalist. Eugen was announced in the honor list of the Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. Danged Black

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