On Writing

Writers, editors, agents, publishers and more share their thoughts, experiences and stories.

A portrait of CS Pacat

CS Pacat's 'Captive Prince' fantasy trilogy evolved from online serial to commercially-published book series. She shared her thoughts on worldbuilding, self-publishing and the future of fantasy with Michelle McLaren, republished ahead of her Digital Fantasy Novel Intensive, starting January 2018.

"All obsessions are intensely personal and often obscure in origin," says tutor Bella Li. Ahead of her upcoming workshop, we talked to Bella about what draws her to ekphrasis, and what she loves about the dialogue between writing and the visual arts.

Paddy O'Reilly headshot

"The longer you can leave a work before editing, the better," says tutor Paddy O'Reilly. Ahead of her upcoming workshop, we talked to Paddy about some tips and tricks of the editing process.

Fran Berry headshot

"Whilst style and story craft are still major assessment points," says tutor Fran Berry, "in non-fiction and memoir we are first drawn to the subject, issue or unique perspective that the writer brings to their subject." Ahead of her upcoming workshop, we talked to Fran about strategies for pitching memoir and non-fiction.

Jane Godwin headshot

When writing a picture book, "The idea doesn’t have to be original, but the author's way of treating it does," says tutor Jane Godwin. Ahead of her upcoming workshop, we talked to Jane about how picture book writing isn't as simple as it seems.

Wayne Macauley headshot

"In a short story everything has to be working towards exploring and illuminating your central idea with the minimum words and maximum intensity," says tutor Wayne Macauley. Ahead of his upcoming workshop, we talked to Wayne about what makes a short story great.

Andrew Nette headshot

Done well, crime fiction can be one of the most effective genres for talking about social issues and the problems of society, says tutor Andrew Nette. Ahead of his upcoming workshop, we talked to Andrew about what makes crime fiction so thrilling.

Ellie Marney headshot

When choosing to self-publish, "People often assume that you can slap something together and hit Publish," says tutor Ellie Marney. Ahead of her upcoming workshop, we talked to Ellie about the importance of being organised, doing the research, and most importantly, writing a book that readers will love.

Shivaun Plozza headshot

"What connects an intellectual understanding of story to the ability to construct one," says tutor Shivaun Plozza, "is tied up in soliciting and digesting quality feedback." Ahead of her upcoming workshop, we talked to Shivaun about how to give an receive feedback effectively, and the role it can play in fine-tuning your writing.

George Ivanoff headshot

Writing for the education market, says tutor George Ivanoff, has lead to a career filled with variety and ongoing learning. Ahead of his upcoming workshop, we talked to George about following briefs, meeting deadlines, and comparing boats to blue whales!