Featured Writers

Kate Mildenhall on The First Time podcast, first words and celebrating the wins with your wingpeople

Kate Mildenhall is the author of Skylarking (Black Inc., 2016) and The Mother Fault (Simon & Schuster, 2020). She co-hosts The First Time podcast, a podcast about the first time you publish a book, now in its fifth season. Kate lives in Hurstbridge on Wurundjeri lands, with her partner and two children. She is currently working on her third […]

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Sian Prior on Life Writing’s Curious Temporality

Dr Sian Prior has been a writer and broadcaster for 30 years. She has been published in newspapers, magazines and literary journals. Sian teaches non-fiction at RMIT and runs online courses in creative non-fiction and writing as therapy. She has written two books, Shy: A Memoir (2014) and Childless: A Story of Freedom and Longing (short-listed for The Age Non-Fiction Book of

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Writing the Body

(…) my much inscribedskin knows a space behind the word where you become real. Miriam Tag, “and mystery exists“, from “abstract alphabet“, translated by Jo Langdon There is a mystery in how language appears. This here, right now. A poem, prose, a piece of writing. Sometimes words are just there, all around; they keep creeping,

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Declan Fry on Digression, Transience and the Desire to Know and Be Known

Declan Fry is a writer and essayist. Born on Wongatha Country in Kalgoorlie, he has been awarded a Peter Blazey Fellowship and the Lord Mayor’s Creative Writing Award, shortlisted for the Judith Wright Poetry Prize, and nominated for the Pascall Prize for Arts Criticism. Following the publication of Another Australia, Writers Victoria Membership Officer Lou

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Ellie Marney on Codegirls, Thrillers and Keeping your Detective a Step Behind

Ellie Marney is a New York Times bestselling and multi-award-winning crime author, who has gone behind the scenes at the Westminster Mortuary in London and interviewed forensic and technical specialists around the world in pursuit of just the right details for her brand of pulse-pounding thrillers. Her titles include The Killing Code, None Shall Sleep, the Every trilogy, No Limits, White

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Adriane Howell on Writing Aesthetics and Design

Adriane Howell is a Melbourne-based arts worker and writer who has lived in Paris and Johannesburg. In 2013 she graduated from the University of Melbourne with a Master of Creative Writing, Publishing and Editing. She is co-founder of the literary journal Gargouille. Hydra is her debut novel. Following Hydra’s release, our Program Manager, Anna Kate Blair, spoke

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Grace Chan on Mind-Uploading, Virtual Space and Speculative Tech

Grace Chan is a speculative fiction writer and doctor. Her writing explores brains, minds, technology, space, and narrative identity. Her short fiction can be found in Clarkesworld, Going Down Swinging, Aurealis, Andromeda Spaceways Magazine, and many other places. She has been shortlisted for the Aurealis Awards, the Norma K Hemming Award, and Viva la Novella.

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Lee Kofman on Idiosyncrasy and Writing Complex Emotion

Lee Kofman is the author of six books, including Imperfect (2019, Affirm Press), which was shortlisted for Nib Literary Award 2019, and The Dangerous Bride (2014, MUP); editor of Split (Ventura, 2019), which was longlisted for ABIA Awards 2020, and co-editor of Rebellious Daughters (Ventura, 2016). Her short works have been widely published and her

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Timmah Ball on Western Time, Literary Silence and Zine Making

Timmah Ball is a writer, researcher and creative practitioner of Ballardong Noongar heritage. She is the editor for First Nations writing at Westerly Magazine and Arts House Makeshift Publics artist for 2021 where she developed the publication Do Planners Dream of Electric Trees? In 2016, she won the Patricia Hackett Prize for her essay “In

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