The Writing Life

Information, inspiration and insights into the writing life

Eliza Henry Jones sitting in front of a window, smiling

Author and tutor Eliza Henry-Jones believes that writing about loss and grief can help us find meaning in overwhelming circumstances. Ahead of her upcoming workshop, we caught up with Eliza to find out what motivates writers to explore this difficult, yet necessary, terrain.

A portrait of Anna Krien

Literary journalism is fast finding its feet in the online era, with audiences hungry for nuanced, beautifully crafted non-fiction. Ahead of her workshop, Writing Long-Form Journalism, we talked to Anna Krien about her creative process, the importance of deep research and how to give new life to over-exposed subjects.

Photo of Jo Case

Editor and ‘Boomer and Me’ author Jo Case shared her thoughts on the memoir genre with Writers Victoria.

Since 2007, Writers Victoria has offered writers the use of a Glenfern writers’ studio for a period of three months, thanks to the support of the Readings Foundation (from 2007 to 2014) and the Grace Marion Wilson Trust (since 2009).

The Fellowships give authors the time and space to write, as well as the opportunity to be involved in a vibrant community of writers in the historic surroundings of the Glenfern mansion in St Kilda East.

Have you ever felt like there was a deeper dimension to your writing but you are not sure how to access it? Writing can serve many functions, one of which is the sharing of philosophical, ethical or political messages, either overtly or subtly. We chatted to Lia Hills ahead of her Winter School workshop, The Novel of Ideas, about how she approaches her writing processes and some ways she effectively brings depth to her writing.

Writers Victoria is thrilled to announce the finalists of the 2018 Grace Marion Wilson Emerging Writers Competitions.

It can be a challenge to develop your own voice and balance the different voices of characters in your story. But it is crucial to push through and achieve clarity so that your reader can easily distinguish between the voices of your narrator and various characters, and connect with your story. Robert Gott’s Winter School workshop, Voice and Point of View, is approaching and in the lead up we chatted to him about all things voice.

Portrait of A.S. Patric

There are many considerations to make when you are writing a story, one of them being what literary form to engage. Is your story feeling the confines of the short story genre or becoming too diluted while reaching for a novel? We interviewed A.S. Patric in the lead up to his workshop, The Perfect Form of Prose Fiction: Novella Intensive, to find out more about the often difficult to define and ever-evolving genre of novellas.

Laura Jean McKay headshot

There's no time for small talk in short story writing, says Laura Jean McKay. Ahead of her upcoming online Beginner Short Story Clinic, we talk to Laura about what draws her to the short story form.

Paul McVeigh headshot

You only have one debut novel, says tutor Paul McVeigh. Ahead of his upcoming clinic, we talked to Paul about how to take the pressure off and be prepared for its release.