On Writing

Writers, editors, agents, publishers and more share their thoughts, experiences and stories.

Josiane Behmoiras headshot

Writing a memoir is a journey of discovery that involves acknowledging every spectacular defeat and minute victory along the way, says tutor Josiane Behmoiras. Ahead of her upcoming workshop, we talked to Josiane about how the house, in memoir, becomes a container for dreams and aspirations.

Jane Harrison headshot

To ensure well-rounded and non-stereotypical Indigenous characters, says tutor Jane Harrison, the writer must continually question their motives and their writing. Ahead of her upcoming workshop, we talked to Jane about the changing depictions of Indigenous people and stories.

Sam Cooney headshot

When working with industry professionals, be patient, be polite, but don't be a pushover, says Sam Cooney. Ahead of his upcoming workshop, we talked to Sam about how getting published in literary journals can be a great springboard in a writer's journey.

Jo Case headshot

Your memoir needs to have a reason for being, says Jo Case. Ahead of her upcoming workshop, we talked to Jo about why it is important for a memoir to have a central theme.

Marie Alafaci

Author and writing specialist Marie Alafaci talks snobbery, workplace communication, and reference guides. 

A photograph of Andy Jackson

Each person has a particular insight and way of seeing the world, says Write-ability tutor Andy Jackson, and all people – particularly non-disabled – need to listen carefully. Andy will present ‘Myths, Realities and Elephants’ to the Write-ability Writers Group in Bendigo, and spoke to us about some of the myths and challenges facing writers with disability.

Laura Jean McKay headshot

There's no time for small talk in short story writing, says Laura Jean McKay. Ahead of her upcoming online Beginner Short Story Clinic, we talk to Laura about what draws her to the short story form.

A photograph of Karen Andrews

Writing is often loosely divided into fiction and non-fiction, but the reality is far more complicated. Karen Andrews discusses some of the key challenges ahead of her Write-ability: Finding the Form workshop.

There is a great deal of work to be done before a memoir is ready to be written. Ahead of her upcoming workshop, we talk to Lorna Hendry about the risks and rewards of research and interviews.

Roselina Press Headshot

If you're looking to change entrenched beliefs, using emotion can be more persuasive than facts, says Roselina Press. Ahead of her upcoming workshop, we talk to Roselina about using storytelling to bring about social change.