The Writing Life

Information, inspiration and insights into the writing life

A photograph of Jessica Obersby. Jessica has short red hair and has a parrot sitting on her shoulder

Things I fear:

Being buried alive

The awful, breathless struggle of drowning

Losing the ones I love

Being late

That I will lose my job

That the planet will die due to climate change

That I am unlovable

That my anxiety will win

A photo of Inner Gippsland writing group members and Local Mentor Scot Gardner

The Inner Gippsland Write-ability Goes Regional and Online Writing Group recently finished its eight-month run under the program. Write-ability Project Assistant Alex Fairhill joined the group in Moe to celebrate the participants’ work, and hear about plans for the group to continue.

 

Round 3 of the Neilma Sidney Literary Travel Fund received 112 applications, requesting a total of $591,306.34 in grant money.

This round's judges were Emily Booth from Text Publishing, Indra Kurzeme from State Library of Victoria and author Eli Glasman. They were thrilled with the quality of the overall applications and awarded $48,288 to 9 applicants.

A photo of Micheline Lee

Ahead of her Disability Binaries in Writing workshop, presented as part of the Write-ability program, Micheline Lee spoke to Katy Hocking about overcoming fears and biases – both internal and external.

Kate Cantrell unpicks the unstable and always changing nature of the markers: early, emerging and established.

What makes a successful mentorship? Mentor (and author) Kathryn Heyman and mentee (and author) Michelle Johnston share their experiences.

Marie Alafaci demystifies the manuscript assessment process.

Moreno Giovannoni, winner of the inaugural Deborah Cass Prize, reflects on how it helped him develop his debut novel.

Sara Bannister has been writing for years. But, she asks, can she call herself an emerging writer yet?

 

There’s a particular type of magical thinking employed by short story writers. This story will find a home in the magazine of my dreams. My lack of profile, the number of submissions they receive, networks and nepotism – all irrelevant. Quality will win out. This story will not languish in my Submittable list or in a slush pile. This one will be longlisted, shortlisted, then win the prize. I might be offered a publishing deal, like the woman who wrote ‘Cat Person’, the one who was published in 'The New Yorker'.

Getting published