The Writing Life

Information, inspiration and insights into the writing life

Professor Megan Davis recently presented the 2018 Human Rights Oration, ‘Towards a Treaty’, organised by the Victorian Human Rights and Equal Opportunity Commission.

The distinguished English biographer Richard Holmes once described biography as ‘a handshake across time’. He was trying to draw out the degree to which writing a biography is ‘an act of human solidarity, and in its own way an act of recognition and of love’. This is surely true, but his analogy strikes me as somehow too cool. For me, writing a biography has been more like a big warm bear-hug across time, or maybe a wild, nose-in-the air, nose-to-the-ground fox-hunt across time.

It’s the opening night of the poetry festival in Heidelberg in Germany, one of the International Cities of Literature. Onstage stand a poet and musician who’ve travelled from Ballarat in regional Victoria. Nathan Curnow introduces his first poem, ‘Student Kiss’, about a famous Heidelberg chocolate. He’s googled those things that make Heidelberg unique and written poems to deliver. But he’s taking a risk; like saying ‘put another shrimp on the barbie’, it might not sit quite right. He gauges his audience as he shapes the delivery.

A portrait of Sian Prior

Why do we write memoirs? Memoir tutor Sian Prior says that humans have a powerful urge to tell, listen to, and learn from true stories for all sorts of reasons – just don’t write them if you’re looking for revenge.

In her powerful and candid memoir, ‘Eggshell Skull’, Brisbane-based writer Bri Lee recounts her year working as a judge’s associate in the Queensland District Court. During this time, she witnessed numerous instances where victims of sexual offences were denied due justice.

The Gothic writer must know their genre thoroughly. This does not mean following a template because Gothic is as much an aesthetic, a feel, an atmosphere as it is a strictly defined genre. Gothic fiction has few rules as it is characterised by illusion, equivocation and subversion. Therefore, understanding the Gothic largely relies on experiencing it, immersing yourself in the genre; taking from the texts elements which best suit or resonate with your writing.

Being a long-term diabetic and a photographer, I always felt I’d been given a rum deal. Here I was: a visual with little time for the written word who had to attend clinics with monikers like endocrinology, nephrology, cardiology, haematology and ophthalmology. I still can’t spell them without checking, of course, but their meanings have become crystal clear, particularly that last beauty.

Ahead of our Ask... about YA Publishing seminar in November, The YA Room's Sarah Robinson-Hatch writes Why YA?

Five years ago I would never have expected to be working full-time in publishing, let alone supporting two amazing agents at Australia’s largest literary agency. Every day is different and as an assistant you get to see the nuts and bolts of publishing – from reading first drafts and giving editorial feedback to being privy to overseas rights and film deals and the nitty gritty of contract negotiation and royalty statements. I feel really lucky to do the work I do and be paid for it, which means I can genuinely look forward to going to work every day.

About a decade ago, Writers Victoria held a little competition: ‘Send us two-hundred words of non-fiction and we’ll give the winner a book.’ At the time I’d been tootling around with a non-fiction project for a couple of years. I had young children and a day job, but every now and then, in the cracks of my life, I’d do some research, do some writing, then do some more research.