These Differing Frames

Monday, April 1, 2019
By: 
Jamie Marina Lau

1. Something familiar: convincing ourselves we are not ‘something’ enough. As writers, before or after we put something to a page we are likely to question whether or not we’re close enough to the subject in order to fully capture it. In writing class, the most common question the class asks our lecturer is: can we write a place we’ve never been to, but know about, or a place we’ve spent minimal time in? Or, can we write a person we don’t fully live inside the shoes of but can empathise with? Every writing lecturer says something different, but most agree that as long as there is a purpose for situating your story inside these differing frames – it could work.

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