In your memoir Too Afraid to Cry, the narrator doesn’t use her voice, she keeps silent about things. How did you find your voice as a person and as a writer?
As children, we were raised on a farm. We would be seen and not heard. We knew we were adopted, but we never really talked about it. So, for most of my life I guess I never really thought I had a voice, or a right to voice an opinion, and you just sort of dealt with things without saying anything and I think that was a bit of a rural, Australian tactic as well – that you just sort of copped it sweet.