The Writing Life

Information, inspiration and insights into the writing life

A photo of Micheline Lee

Ahead of her Disability Binaries in Writing workshop, presented as part of the Write-ability program, Micheline Lee spoke to Katy Hocking about overcoming fears and biases – both internal and external.

Ahead of her workshop on 16 Rules of Writing Memoir, Sarah Vincent writes about how to manage bitterness, anger and hurt in memoir writing. 

Years ago I did a workshop on memoir writing with the great memoir writer and teacher Patti Miller. Her workshop was full of terrific advice, but one thing she said in particular has stuck with me …

“There are two things readers of memoir will not put up with: bitterness and self-pity,” she said.

A photo oj Jax Jacki Brown in a wheelchair, holding a phone and wearing a black T-shirt with pink text reading 'Piss on pity'.

Jax Jacki Brown has been at the forefront of increasing the prominence of writers with disability in publishing. Ahead of our Own Voices: Why Writing Matters forum in Wodonga, she talks about change, the importance of stories, and her involvement in WV’s new Publishability program.

The short story enables writers to focus on the particular, the initimate, and the fleeting, says Roanna Gonsalves. Ahead of her workshop in October, Amelia Theodorakis asked Roanna about storytelling cultures, literary selfies, power and self-representation.

Writers Vic's Ellen O'Brien spoke to Rafeif Ismail ahead of her workshop: Writing and Intersectionality.

In your workshop, participants will learn about intersectionality and how to write diverse characters and characters of colour in a respectful way. Could you tell us a bit about intersectionality and who you think will benefit from your workshop?

A portrait Vikki Petraitis

Everyone likes a gritty true crime story. So where do you start if you want to write one? After 25 years of crime writing, best-selling author Vikki Petraitis shows us the hidden underbelly of real crime writing.

Ahead of her September workshop How to Write and Sell True Crime, Vikki gives us a hint of what it takes to write a great story – choosing a captivating story, navigating the tricky territory of real crime writing and why women crime writers are coming out on top!

Writers Victoria will launch a new digital writers-in-residence program for carers in 2019, thanks to an arts grant from the City of Melbourne.

‘Only Connect: Digital Residencies for Writers Who Are Carers’ will provide six-month, digital writer-in-residence and professional development programs for two Victorian writers who face significant barriers to participation in the writing community due to their primary role as carers.

An image of an open notebook and a person writing

A creative writing PhD looks pretty good on paper. A research adventure into a topic you find fascinating, mentoring from expert supervisors, immersion in a creative community and in some cases a scholarship to go with it, all with the aim of adding something new to the literary landscape.

But is it right for you?

PhD island can be a lonely one. You’ll be spending several years at the precipice of a research project that only you can complete. Just you, your laptop, your Endnote library and your over-full brain.

A portrait of Nick Gadd standing

There’s an idea that the suburbs are banal, but Nick Gadd believes that there are seeds for stories everywhere in the shopping malls, bus stops, street signs and pavements we encounter everyday. Ahead of his workshop in Prahran, we spoke to Nick to find out how he stays curious about the suburbs. 

A portrait of Ellen van Neerven

The editing process is about more than just proofreading. Ahead of her September workshop on Editing and Enhancing Your Work, we asked Ellen van Neerven how she goes about tackling the editing process and what writers can do to make their work appealing to publishers.